This is similar to how the Edit Page operates when you activate one working viewer only. And with that, yes, the Cut Page does have a source viewer, which you can activate by double-clicking an item from the media pool, and the source viewer will open in place of the timeline viewer. At the same time, it’s left me wondering: When would I use this method of previewing my clips? Since you can’t increase the size of the preview, you’re more than likely still going to review the clip on the source viewer, regardless. There’s no denying that many of these implementations are smart and unique. Whether your media is twenty seconds long or two hours long, the clip is displayed with the same width, and you can view and scrub your content within. When you activate this view option, you’ll see that the beginning and ending of the clip correspond within the thumbnail preview. Likewise, with the extended space, we also get a new and intuitive way to view your media in the form of compressed mini-clips. On the Cut Page, we only get the one viewer, and now we get extended space for the media pool, transitions library, titles, and ResolveFX. This is primarily because the media pool has replaced the area of the source viewer. On the Edit Page, to explore the media pool, you have to click an additional two times to get decent viewing space, whereas in the Cut Page, we’re instantly see substantial UI space. It’s interesting to compare the sheer size of the media pool on the Cut Page to the Edit Page. In Resolve 16, we can import directly from the Cut Page by clicking icon 1 to import individual or multiple files, and by clicking icon 2, we can import an entire folder, which will become a bin. You had to leave Resolve to bring a file in from the edit page. Yes, you could also import a file on the edit page, but that was by taking a file from the desktop (or folder window) and placing it onto your timeline or into your media pool. On the top left, we have our media pool, and to avoid hopping back and forth to the media page, you now can import from a media source of your choosing. You can see this ease of access and compressed layout throughout the entire page. On the Cut Page, I just hit the title button, and we’re here. Using the title generator, on the Edit Page, I would have to open the effects library, expand the panel, scroll down to the titles (or open the toolbox dropdown menu) then click on titles. There’s no extension button for the panels because most tools have designated buttons. It’s compact and streamlined, and as we heard at NAB 1019, the UI is intended to be smaller to accommodate laptop screens. we can see what Blackmagic is trying to do - or more accurately, what they have achieved. However, this is the intention behind the Cut Page, so let’s look to see if that translates in practice.Īnd, if we mirror it with the edit page with a few panels open. He, on the other hand, was a fan of dropping all media clips onto the timeline and editing the clips as such. In the demonstration, Blackmagic founder Grant Petty said he was frustrated with how YouTube educators would insist on using bins to organize the edit, and three-point-edit clips, onto the timeline. This isn’t ideal for longer projects, but for short scenes and simple vlogs, the Cut Page is your new home. The Cut Page is for those on the go - editors who drop their footage into the timeline then quickly edit, render, and deliver. The new page is intended to simplify and streamline the editing process by removing many of the systematic elements of the edit page. The biggest surprise from Blackmagic’s NAB Resolve demo was the addition of a brand-new page called the Cut Page. If you’re an editor on the move, DaVinci Resolve 16’s new Cut Page can really improve your workflow.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |